We love a good house flip for a reason: there’s little more satisfying than a transformative home renovation. Perhaps it’s the beauty of a contained event—we get to see all parts of the process, from beginning to end. Or maybe it’s the realization of someone’s artistic dreams, bringing drawings and renderings into the physical realm. Whatever the pull, this love of the before-and-after is bred into our culture (there’s a reason the frantic house-cleaning montage is a mainstay in just about every rom-com). And though I’ve loved many a makeover, the latest Hudson Valley project helmed by Upstate Down has to be my favorite.

Upstate Down is based in New York state’s picturesque Hudson Valley, and combines brokerage, interior design, and a curated home goods store in the form of UD Studio, where visitors can browse the brand’s thoughtful, considered décor in person. Co-founders Delyse and Jon Berry inform the business with complementing backgrounds—she in rental management and he as a financial advisor at Morgan Stanley. With their dream of a holistic real estate and lifestyle brand calling, the duo pooled their expertise, and in 2021, Upstate Down was born.

Upstate Down Shares Their 1770s Home Renovation

When I say you won’t believe this before and after—believe it. Oftentimes, the challenge of renovating a home built hundreds of years ago is that there’s history and character to preserve. But the best designers know: it’s those stories woven into the details that deserve the spotlight.

I sat down with Delyse and Jon to reflect on their most recent project: the complete renovation of a gorgeous 1770s home in Fall Kill, New York. Below, they speak to the home’s original architecture, the potential of the space, and how they bridged the beauty of the past and present. Let’s dive in—I guarantee you’ll want to add these pictures to your ‘dream home’ Pinterest board.

What initially drew you to this property and inspired the project?

When I first saw the house, I described it as having magic. The original charm was covered over by layers from the 60s-90s but the energy was special. I also loved how quiet the property was. Often homes of this era are built on roads which have become major thoroughfares over the years, but this one was still in a peaceful setting. 

The house was dying when we bought it and we felt honored to be stewards that would assist in giving it new life. 

This home has such a presence. Take us through some of the unique elements of the original architecture.

When we finally closed on the house (which took six months), the pipes burst which meant that the house needed to be restored even further than we thought. We had no idea what was behind the walls but when we started pulling things apart, we were overjoyed by finding the original floors, hand-hewn beams, hand-blown glass windows, original siding, and even the initials in the wall of the person who built it. Every inch of these findings needed to be restored but it was so worth it. The house was dying when we bought it and we felt honored to be stewards that would assist in giving it new life. 

Working with a home of this age, I knew I wanted to honor it for what it is rather than make it something it wasn’t.

You featured an unbelievable before-and-after of the space on your Instagram. With low ceilings and small windows, how were you able to see the potential of the space and execute it beautifully?

Working with a home of this age, I knew I wanted to honor it for what it is rather than make it something it wasn’t. Instead, I looked at things we would define as challenges and made them assets. To me, the low ceilings meant intimacy and the small windows meant moody. We painted the walls a rich color and made the space monochromatic so the architecture could stand for itself. We also then balanced the experience of the original part of the house with the light and bright addition which features a second living and dining space. 

The house isn’t huge, but having two living spaces and two dining spaces allows for an easy transition into old and new as well as morning into night. 

There’s a push-pull tension inherent in any renovation—wanting to honor the original bones while also bringing a space into the modern day. What were some of the major changes you focused on? 

Everything original was restored and everything not original was replaced. This allowed us to blend the old and new while not losing the house’s integrity. When making new material decisions, we considered the original home and used the human hand in our material choices as much as possible. For example, all the tile and hardware are handmade and there are no white walls. We opted for a prep table rather than a kitchen island, and used materials that will patina over time (just like the house).   

Building on that, how were you mindful of reconciling the past and present? How did that balance impact the final project?

We wanted people to walk through the house and feel the history of the home but also wanted to make it liveable. Bearing in mind how people live today really helped us accomplish a good flow and function in the house. The house isn’t huge, but having two living spaces and two dining spaces allows for an easy transition into old and new as well as morning into night. 

When you’re on the property, you feel connected to the land. The flowing stream, old barn, vintage stone walls… It feels as though they are all telling a story.

Exposed beams, light wood accents, organic shapes, and natural textures dominate the space. How did these elements and this aesthetic come into play in your design process?

The house is perfect in its imperfections. We wanted to make sure our design choices didn’t distract from the integrity of the home and therefore used the original treasures as our inspiration. Furniture stayed neutral and organic in order for it to connect to the structure and we elevated our final finishes to create some modern comforts. 

The Catskills are known for their stunning landscape and enviable natural elements. How did you seek to integrate your redesign into the surrounding environment?

When you’re on the property, you feel connected to the land. The flowing stream, old barn, vintage stone walls… It feels as though they are all telling a story. There is so much history in the area and while you feel that in the home, there is no doubt that you equally feel that on the property too. 

The post You Won’t Believe This 1770’s Home Renovation in Hudson Valley (Psst… It’ll Be Available on Airbnb!) appeared first on Camille Styles.

Maj Henriques and her family relocated to the Santa Barbara area from Copenhagen just a few years ago. But in the short time they’ve found themselves stateside, the family has already managed to inhabit two enviable homes just a short stroll from the beach. Both have had completely distinct, life-giving settings. The first was flanked by a wild, grassy meadow, filled with oak trees and rambling nasturtiums. And the second—their current home—sits atop the tiny village of Summerland, overlooking a 180-degree view of the Pacific Ocean, the distant Channel Islands, and the surrounding hills and mountains.

Each space she occupies reflects Maj’s inherent draw to nature, and her subtle ability to bring the calming energy and colors of the reigning Mediterranean climate indoors. 

Maj Henriques Shares Her Sunny Summerland, California Home

The creative atmosphere that hangs about this stunning, sunny home should come as no surprise. As creative director of her own multi-disciplinary design and branding agency, Creative Notes, Maj brings her skills to every facet of her life. She’s transformed the space into somewhere that looks and feels like her family’s own, even amidst the limited confines of renting the property. 

Maj’s approach always prioritizes the personal, selecting pieces that exude a strong point of view and can stand boldly on their own in any space, while still feeling accessible and warm. She has seamlessly blended a mix of European designers, both old and new, that at once convey a timelessly stylish sensibility with little need for following the trends of the day.

In Maj’s words, the goal is soulful. As far as not being able to make any dramatic changes to the home, she says, “Being a renter is an exercise in creating a homey and beautiful space that reflects your personality—without renovating.” With cozy corners to sink into, strikingly pared-back visual moments, and pops of vibrant color throughout, we think you’ll agree that she’s managed to do just that.  

Who do you share your space with? 

I share my home with my family. My husband, Frederik, and my two kids—Magne, age sixteen, and Hannah, age 13. 

What was your goal in decorating your home?

Interior-wise, I like simplicity. I tend to decorate sparingly with statement pieces that can look good anywhere. The pieces I bring into my home have to be worth the resources spent on them, and therefore need to age well. I like adding personal and unexpected items, as well as both contemporary and vintage.

At the same time, I’m very aware that my home should feel comfortable and welcoming. It has to fit the flow and needs of everyone living in it. My home is where I recalibrate. I love the everyday life spent here.

A home works well when it feels effortless to move from task to task and moment to moment. The goal is for the space to be soulful.

I work from home, so I spend a lot of time in my house. Morning coffee, soaking up the sun on my deck, reading, watching movies, an evening glass of wine, cooking and connecting and checking in with my husband and kids are regular routines I savor. Occasionally we have small, intimate and informal dinners with friends. More and more, I prefer casual and relaxed settings—and this space is perfect for cultivating those kinds of moments. 

You have so many exceptional—mostly European—designers featured throughout your home. Can you tell us about some of your faovrite brands and pieces?

My home is filled with contemporary brands like E15, Magniberg, and various pieces from the design collective Valerie Objects. The blue table and stools in the living room and the blue chair in my bedroom are all from Swedish-based Magniberg. A lot of my lighting, the incredible double-lounger in my entryway, and the multi-colored chairs on the patio are from Belgian duo Muller van Severen, who work under the Valerie Objects design label. In my opinion, these are the brands that will be the classics of tomorrow.

I have also collected pieces from designers already considered to be classics, like Rietveld, Gio Ponti, and Le Corbusier. My only Danish furniture is outdoor brands like Skagerak and Carl Hansen, and I have some rugs from Linie Design. The beautifully textural rug in the living room is from a gorgeous Danish line called Cappelen Dimyr. 

Is there a vibe or aesthetic that defines the look of your home?

California beach town meets Copenhagen—what I refer to as CoCal. 

How would you describe your style in three words?

Simple, sculptural, personal.

How has your design sense changed—if at all—to reflect your new California surroundings, versus how you might decorate back in Copenhagen? 

Here we have, of course, more focus on our outdoor spaces and the flow from inside to outside. Besides that, I’ve become very aware of surrounding myself with long-lasting quality pieces. I prefer when furniture has a sculptural quality, so that each piece looks amazing from all angles and in many different spaces. This is an important element when you move a lot. 

How did you first discover your home? What spoke to you about the space?

A dear friend made this magical place happen for us after we had to move out of our last rental. 

I LOVE our ocean view! I wake up and go to bed surrounded by the Pacific Ocean, in golden-y pink hues. It’s unbelievably beautiful and I would compromise on almost everything else for that view.

What role did color play in your decorating process?

I like earthy and calm colors, but I do also enjoy a touch of unexpected color splashes for contrast. For instance, the baby blue Magniberg pieces bring something special and surprising to each room.

Do you have a favorite design feature or room?

I love love love the dining table that my son made for me (in junior high woodshop class!) and my Rietveld arm chairs.

What are some ways you’ve creatively worked around the inevitable constraints of living in a rental? 

My approach is to have a few really cool signature furniture pieces, which tends to take the attention away from some of the less beautiful details in a rented home.

What are some of your main design influences, both in your home and your work?

I’m very much shaped by and rooted in the design scene in Copenhagen. I love to look at Danish magazines like RUM and Ark Journal. 

Some of the places and people I look to the most for design inspiration are the following: 

• Studio X
• Atelier Axo. Amazing talented young Danish designers.
• Studio Kristia Lula. An artist who makes sculptural art/design. 
• Established brands like Linie Design (the most amazing rugs!) and Skagerak for outdoor furniture.
• The coolest gallery in Copenhagen: Etage Projects.

Any decorating wisdom that has helped you along the way? And in that light, any wisdom you’d be willing to pass on?

Build your home slowly so it reflects your own life and personality. Take the time to get good quality pieces, and always add vintage.

The post “Build Your Home Slowly”—How Maj Henriques Transformed a California Rental With Her Danish Aesthetic appeared first on Camille Styles.

The walls are a soft, creamy white. Your eye catches a glimmer of tinsel and touches of plaid pop out wherever you turn. No, this is not one of the famed interiors of a mid-aughts Nancy Meyers film. Instead, Anastasia Casey is welcoming you inside her cheerful, warm, and perfectly festive East Texas home.

With any house entirely made by hand, her family’s lake home is full of character and charm. The house—though you’d be hard-pressed to imagine it today—was a labor of love. Anastasia shares that she gets emotional reflecting on the past year of renovations and remodeling. But after foundation work and replacing the subfloor (and many of the designer’s signature touches sprinkled throughout), the home is a gem worthy of its stunning scenery.

“The property is dotted with dogwoods, redbud trees, crepe myrtles, Japanese maples, and pine trees,” notes Anastasia. And though the renovation isn’t entirely complete—there’s a little work left to do finishing out the basement—she says with enthusiasm and what I have to imagine is a sigh of relief: “It finally feels like home.”

Step Inside Anastasia Casey’s Stunning Holiday Home

And the timing’s just right. For most home design enthusiasts, there’s never a better time to lean into our love of décor than the holidays. The weather outside is frightful, and in turn, we’re embracing our coziest inner homebodies. By the looks of it, Anastasia knows the vibe—and she’s going all in. But rather than opting for over-the-top decorations and garish lighting, she’s well-versed in making the subtle celebratory.

Below, we asked Anastasia all about her holiday home design process: what she envisioned for the space, the traditions she’s holding onto, and how she infuses it with a sense of novelty year after year. So step inside, you’re in for a treat.

How would you describe your holiday design aesthetic?

Unfussy, natural, and a little whimsical. I like things to be unusual, unexpected, and always inspired by nature.

What was your process in decorating your home for the holidays?

This is the first year we’ll spend at the lake house, and I really wanted to focus on nostalgia. When spending a holiday in a new place, I think it’s particularly important to bring familiar elements into a space. My process this year was based on making things feel natural, but also easy to walk away from.

For once, I opted for faux greenery we could use year after year, without worrying about things dropping needles, drying out, or causing any fire hazards. I invested in the faux cypress garland from Afloral and selected a few specific places to decorate: the entryway, the living room, the kitchen, our bedroom and the bunk room.

Afloral Faux Long Pine Needle and Pinecone Christmas Garland

u003cpu003eu0022The garland had such a natural drape to it, I literally just threw a couple of nails in the corners where I wanted to hang it, and draped it casually.u0022 u003cemu003e— Anastasia Caseyu003c/emu003eu003c/pu003e

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When it comes to decking the halls, it’s easy to go overboard. What are your tips for making your home feel distinctly “holiday” without overwhelming the space?

Hang stockings on hooks you already have around the house! Don’t limit yourself to just the mantle. Our stockings are hung by the front door this year, and since that’s the center of the home, you walk by them multiple times a day. It’s the perfect little glimpse of holiday without feeling smothered by it.

A simple wreath in a room is often all you need. I love a sweet bedroom moment with just a wreath where you normally have artwork.

How do you balance trying something new while also being mindful to give space for traditional touches?

Instead of a full-on theme every year, I just focus on one color. This year, I wanted things to feel nostalgic, but modern, so I went with a tomato-red velvet ribbon. It’s nearly a burnt orange, gives a nod to tradition, but it perfectly complements the olive greens of the house.

What are your go-to resources for holiday décor?

Afloral for their faux garlands and wreaths. I love Target’s Wondershop—they had so many super fun and charming glass ornaments for $5 this year, I stocked up on about 20!

Wondershop Cloche with Mini House Ornament

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Wondershop Gold Bell Ornament Set

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Wondershop Ornament Set

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Decorating your home for the holidays is a tall order. What would you suggest someone prioritize if they’re tight on budget or space?

100% start with the greenery. While I always prefer real garland and wreaths, it’s a sizeable investment year after year. By selecting really high-quality faux greenery one year, you’ll save every year after that. You don’t need very much, and can fill in with clippings from your own yard! Nothing feels more classic or festive than a plain tree or garland with really twinkly lights.

The biggest bang for your buck is tinsel. For about $5, I totally covered our tree at the lake house and it brings so much joy through the season. Just make sure to save it and use it year after year to keep it out of landfills.

How are you decking the halls this holiday? Share with us in the comments!

The post This Dreamy Holiday Home Is Straight Out of a Nancy Meyer’s Movie appeared first on Camille Styles.

Sarah Solis wasn’t planning such an extensive remodel. A refresh of the outdoor areas and a few interior updates were in the cards. But once Solis began to chip away at the rustic California farmhouse she shares with her husband and two children, “one thing led to another,” says the Los Angeles-based founder and principal of Sarah Solis Design Studio. “My husband returned from a work trip one day and the entire house was stripped to the studs—you could literally see through it.”

Such a sweeping renovation may not have been planned, but it certainly feels meant to be. The finished space is the epitome of California rustic modern. Everything flows. Natural elements of wood and marble marry with the warm Los Angeles light. An airy kitchen washed in the color of clouds gives way to a high-ceilinged living room anchored by a dark linen sofa. It’s a study of understated opposites: warm and cool, bright and moody, rich and airy. 

Feature image by Shade Degges.

Even more so, the home is very Sarah Solis. The designer, who is known for her love of wabi sabi, has a knack for embracing the beauty in imperfection. Solis chose wood wall paneling with “knicks and dents and physical imperfections,” exposed beams made of Douglas Fir salvaged from a Kansas barn, and reclaimed European white oak wood flooring that has “beautiful inconsistencies.” 

Like every great designer’s intention, Solis’s home is a work of beauty. It’s also a space of intention. As she walks us through her design process below, one thing becomes clear: this is a home for living in the present.

This home, which was built in 1954, has such a vibe. Take us through some of the unique elements of the original architecture.

There is an incredible use of open and closed spaces in the house. We balanced high vaulted ceilings to achieve big awe moments and breath of space with low ceilings where we wanted cozy, comforting spaces. For example, the dining room and library have lower ceilings and are painted darker tones to create super cozy intimate settings. They invite you to get comfy and stay a little longer.

One of the most special features are the bay windows and reading nooks in every bedroom. It’s a romantic ideal that I always dreamt of having as a child. So when the opportunity presented itself, we leaned in! We doubled down with creating a built-in banquette in the kitchen, as well.

You extensively renovated this space while honoring the original bones. What are some of the main changes you made?

We changed the floor plan to create an elegant and functional flow. The kids’ bedrooms are on one side of the house and the primary suite is on the opposite side. There is a central hallway that creates a calming center and architectural axis while also making the home feel longer, bigger, and more expansive. 

Images by Rennie Solis

The center of the home is for entertaining and gathering. We expanded the great room with a vaulted ceiling and added square footage. This created the heart of the home off of the kitchen. 

We added vertical wall paneling in the great room and a few extra beams for more interesting detail, rather than traditional heavy moldings. We played up the kids’ bathroom with wall paneling as well. 

Wood, natural light, and organic hues and tones reign. How did this come into play in your decorating process? 

That’s my personal aesthetic! Variations of neutrals and natural wood are the foundation of my design work. This palette is very calming for me. It’s serenity. It also allows my ever-rotating collection of great finds to effortlessly cycle through my home as singular bold moments. I’m constantly sourcing and falling in love with pieces and then moving them to a project that best suits their design. 

What is unique about the property?

The coolest part about this property is that it is a fully contained acre of land in the middle of the city. It’s unassuming when you drive up to the single-story, low, sprawling classic California ranch house. Once you enter the home the magic of the space is mesmerizing, the whole way through to the backyard. 

“Everything is calm, grounded, and complementary to the surrounding nature outdoors.”

The guest house is just as charming—if not more charming—as the main house with an outdoor shower enclosed in reclaimed barn wood. The property is pure magic with a tennis court and an area we call “The Farm” with multiple raised garden beds and a generous chicken coup for our chickens, “The Ladies.” 

“My goal was to create a serene and cozy home that transported you out of the Los Angeles lifestyle, so it felt like you were somewhere else in the world.”

What piece of decorating wisdom Would You Like to share? 

Try not to crowd a space. Let a space breathe to give it balance. Not everything you love will work together so it will be a loving practice of restraint. Embrace the process. 

The post Inside the Modern-Meets-Rustic California Farmhouse of Designer Sarah Solis appeared first on Camille Styles.

I think of Thom York singing ‘Everything in Its Right Place’ when I look at Greg and Christy Billock’s Los Angeles home. All the pieces, from the midcentury décor to the Spanish-style bones of the 1930s three-bedroom house, complement one another. Poring over the space is a meditation. The dark woods evoke wisdom from the trees, and the rich metals a grounded vibe. All the while textured tiles and ceramics elicit a sense of calm. It’s a place where art, intention, and comfort collide—which all comes from the talent of Kirsten Blazek.

The creative director behind multifaceted design firm A1000xBetter, Blazek approached the Billock’s home in the same vein she does all her projects: by looking at the nuance and layers of the life that will unfold there. Creatives and avid cooks who love to host, the Billocks live here with their two children. To support how they inhabit the space, Blazek—who worked with designer Patrick Maziarski on the project—employed her experience in art and color theory in every design choice.

The details are eclectic and bohemian. Blazek also merged the kitchen and dining spaces, allowing for a greater expanse to gather, cook, and eat. (And, of course, for the sunny Los Angeles light to drench every corner.) A large dining table custom designed by A1000XBetter provides an anchor for all of it to come together.

The result is more than a stunning scene. It’s a feeling. And it’s a place filled with unexpected details, like the regal Heath ceramics backsplash in the kitchen. This added “visual interest to the long back wall of the kitchen,” says Billock. It also complements the swaths of open shelving that hold greenery and Christy’s ceramic works. 

Greg and Christy Billock inhabit a home of intention and warmth. Everything is in its right place—which is why I couldn’t wait to ask Blazerk for the details on how she accomplished the look. Let’s get started.

open shelving showcases owner Christy Billock’s ceramics next to works by LA ceramist company Kat & Roger. The Cabinets and Millwork are by Eaton Designs.

Step Inside the Los Angeles Home of Greg and Christy Billock

What first stood out to you as you embarked on designing the Billock’s home?

The homeowners had a lot of great pieces of furniture, beautiful artwork, and textiles and we were able to incorporate all of their existing pieces. We love mixing styles. The dining table is Craftsman in its origins, but fits in seamlessly with the other design elements in the Spanish meets Mid-Century kitchen and library.

What is a piece of decorating advice for us to steal?

Don’t be afraid to mix styles! We don’t like to do anything that is too referential, and we love to bring in an eclectic mix of furniture, art, and decor. We believe that if items are innately great, then they can all work well together and not look out of place.

What role color Does Color Play in your work?

Color is hugely important to me when I design a space. I am always very conscious of creating a cohesive color story from room to room. The nuances in color are also fascinating to me and I put a lot of emphasis on finding exactly the right shade and saturation of each color that we are selecting.

Do you have a favorite design feature or room?

I love the whole back wall of the kitchen. We installed new, larger custom windows to increase the natural light and incorporated open shelving into the design. The Heath tile was the perfect choice to add both texture and an extra layer of visual interest to this long wall while remaining neutral in color.

The post A Home Fit for Gathering: Step Into This Eclectic, Midcentury-Meets-Spanish Oasis appeared first on Camille Styles.

You need to see Brian and Jessie De Lowe’s bathtub. Much has been said about the couple’s stunning Montecito 1950s California farmhouse and its airy indoor/outdoor flow—and for good reason. The four-bedroom, four-bathroom home boasts a kitchen that feels like you’re outside. Ocean breezes move through open doors and the sun floods through walls of windows. The earthy textures and tones are all here, resulting in a home that’s grounded in calm and emphasizes cozy. It’s all incredibly appealing, utterly dreamy, and truly welcoming.

Jessie is a manifestation coach with a powerful vision to usher others toward their most vibrant life, one that aligns with their soul’s true calling. Brian is the co-founder and president of Proper Hotels which boast some of the most inspiring respites to lay your head (and satisfy your appetite) in California and Austin. Together, they share the 3,800 square-foot home with daughters Amelie and Lucia. “Kids are always running around and dancing,” Jessie shares. It’s why the indoor/outdoor space isn’t just about aesthetics—it provides a functional foundation for the De Lowe family to thrive.

About That Bathtub…

“Our Concrete Nation bathtub gets a LOT of love,” admits Jessie. The basin is a show-stopping piece—you could very nearly call it a work of art. And it’s no surprise to find the tub was designed and ethically handcrafted in Australia, residence to the ultimate purveyors of stylish, laid-back living.

Ahead, we step into the De Lowe’s home (dubbed the Four Feathers Farm House) where the breeze flows freely—and the baths are on point.

Montecito Meets Mallorca

How would you describe your home’s aesthetic?

When it came to décor, Jessie describes their inspiration as “Montecito meets Mallorca,” which explains the general approach toward design: textural by way of natural materials that result in a calming, “uncluttered but cozy” home.

Earthy, Vintage, and a Touch of the Unexpected

How did you decide on the color scheme?

We wanted earthy colors that were soothing and unexpected.

We are constantly cooking and entertaining, so it was important to us to create a great flow between the inside and outside.

What were your greatest décor finds?

Lots of vintage art and vessels from Round Top, Texas.

Identify a Focal Point and Run With It

Brian and Jessie chose cabinetry and fluting for the island from Brothers of Industry (and they sourced that beautiful Calcutta gold slab from a stone yard in LA). It all came together perfectly to complement the star of the show: the stunning grey-blue Ilve range.

A Functional Kitchen Centerpiece

This range is truly an investment piece. Inspired by professional kitchens, it’s crafted to be the best of the best. Equally important? It’s stunning.

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ILVE Double Oven Range, $17,500

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Perfect Cane Counter Stools

The De Lowe’s sidle up for snacks, chats, and views out the window in these classically-designed stools.

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Rejuvination Counter Stools, $629

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Leather Dining Chair

The dining room features a wooden Jenni Kayne table surrounded by these beautiful leather chairs.

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Jenni Kayne, $995

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Where Style Intersects the Sentimental

Do you have a favorite piece of furniture?

Our concrete nation bathtub gets a LOT of love. In terms of furniture, our Kelly Wearstler Credenza (above) is very special.

How did your home’s architectural style influence the design process?

There were many different sections of the house, and we opened up and widened a lot of the hallways to make it flow better and feel more open.

Describe your California farmhouse in three words.

Open, calming, and happy.

A Few Final Words of (Design) Wisdom

Do you have any words of wisdom to share with would-be decorators?

We started with a few key focal pieces and then designed spaces with House of Honey around those pieces. For example, we knew we wanted the Concrete Nation bathtub and basins in dusty pink, so we designed the bathroom to complement that. In the kitchen, we knew we wanted the Blue Grey Ilve Range, so we designed the kitchen around that!

Finally, any advice for creating a space that’s minimal, yet warm and inviting?

Create a lot of built-in storage or furniture that contains storage so that there is a streamlined system for things to live.

Weatherby Side Chair

A traditional design with timeless style.

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Rejuvenation, $509

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Discover the Stunning Products That Brought This California Farmhouse to Life

BATH:
Bathtub: Concrete Nation

KITCHEN:
Cabinetry: Brothers of Industry
Island Fluting: Brothers of Industry
Appliances: Ilve Range, Kohler sink/fixtures from Ferguson, Thermador fridge/microwave from Ferguson
Counter Stools: Rejuvenation
Pendant Lights: Natalie Page

LIVING 1:
Sofa: Lulu and Georgia
Pendant Light: Lightology
Coffee Table: Vintage from First Dibs
Rug: Lulu and Georgia
Poufs: Vintage
Wooden Table: Vintage
Throw Blanker: One Wednesday Shop
Vase: Tina Frey

DINING:
Dining Table: Jenni Kayne
Dining Chairs: Jenni Kayne
Pendant Light: Ay Illuminate from Global Lighting
Rug: Armadillo and Co
Dried Flowers: Idyll Wild Floral
Artwork: Heather Day from Tappan Collective

MAIN BEDROOM:
Bed: Anthropologie
Bedding: Cultiver Linen Sheets and Shop One Wednesday x Jessie De Lowe Manifestation Blanket
Pillows: Sheepskins from Jenni Kayne
Sconces: Rejuvenation
Bench: Lost and Found Shop
Console Table: Vintage
Nightstands: Jenni Kayne
Rug: Armadillo and Co
Curtains: Everhem

LIVING 2:
Sofa: Restoration Hardware
Lamp: Anthropologie
Coffee Table: Jayson Home
Pillows: Mexican Artisan, Coral & Tusk
Rugs: Sheepskins from Prima De Sur
Art above the couch: Katie Gong
Art above the fireplace: Nik Nik Studio

OUTDOOR BAR:
Counter Stools: Saffron and Poe
Paint Color: Costes by Portola
Light Fixture: Hudson Valley Lighting

OUTDOOR DINING:
Table: Kokoro Home
Dining Chairs: Rejuvenation
Lights: Corbett Lighting from Hudson Valley Lighting
Pillows: Custom
Paint: Portola

The post Montecito Meets Mallorca—A Dreamy California Farmhouse That Lets the Sunshine In appeared first on Camille Styles.

A home isn’t just a place to live but a journey into the self. Our residences become a series of vivid moments of what we’ve learned, how we’ve grown, and who we’ve become. In many instances, the places we spend our lives become enmeshed with our dreams and values. This is evident in the Los Angeles home of Namu Home Goods founder, Diana Ryu and her husband, Joseph Lee.

Ryu’s first encounter with her house was kismet. She and Lee spent about six months “going to open houses every single weekend,” fending off the blues of being outbid over and over. When they came across this 1927 three-bedroom bungalow along a leafy street in LA’s El Sereno neighborhood, the pillars they were seeking aligned: There was an art studio in the backyard, perfect for Lee, an artist and actor, to create. A majestic 100-year-old oak tree. And views and light that Ryu says are “incredible.”

All felt right—except for the obstacles that accompany buying a home. The house needed serious work. “Everything had to be replaced after we moved in,” says Ryu. The couple was, yet again, nervous about their offer (the third backup bid for this house). As things progressed, Ryu looked to energy healer Caitlin Marino for guidance. When Marino pulled the word “harvest” from her deck, Ryu took it as a sign.

Below, Diana Ryu reflects on the organic beauty and calming presence of her Los Angeles home.

“She said there would be immense joy and harvest in this house, so we felt confident to move forward,” remembers Ryu, who says she and Lee named their home The Harvest House.

That sense of growth imbues the overall ethos of the house. A swath of creamy whites and minimalist décor, punctuated by vintage finds and art, the home is anchored by layers of wood, a material dear to Ryu. It was in the Harvest House where she founded Namu, a collection of heritage wordwork home items sourced from Korea.

When Ryu, who was a longtime editor and writer, looked at the 100-year-old tree in her backyard, she gleaned strength to spawn her business. “The tree has seen countless winters and tragically loses its leaves every year,” she says. “But no matter how cold the winter, it knows spring will come.”

We visited Ryu to see how she weaved that tenacity into their home. Her design wisdom is a lesson on choosing pieces that speak to the soul. After all, we design our homes for the same reason we travel and read: to remind ourselves of the possibility that exists both within ourselves and the world.

Images by Michelle Nash.

What was your goal when decorating your home?

We want it to feel like an exhale when you walk in. We use a lot of wood or wood tones to warm up our white house. There was a study done in Japan about materials used for homes. Wood was the only material that helped lower blood pressure, so we try to curate a lot of it. The goal was—and is—to have a space that feels calming. We both spend so much of our time working and living at The Harvest House, and it’s been a beautiful and stable constant even while our lives have shifted dramatically.

How do you describe your home’s aesthetic?

There’s a lot of Asian influence. Most of the art in our home is from Asian or Asian diasporic artists, including my husband, my aunt, and our friends. We’re lucky to have very creative people in our lives. We’d like to think our home is conducive to creativity and it feels inviting and calming. 

What decorating wisdom has helped you along the way?

It’s OK to shop wherever you have access. Our homes—and our lives—don’t need to be perfect. Homes should be functional for us and our families. Namu Home Goods’ ethos is based on finding the value and beauty in imperfection. Our house isn’t perfect, and it probably won’t ever be. We want to see friends and family be comfortable and feel relaxed enough to lay down on the couch.

“I have always been drawn to wood as home décor—I think because I’m a highly sensitive person and my surroundings impact my mood.”

How has building Namu Home Goods impacted your approach to design and life?

We try to live simply. We’ve adopted this philosophy from our Namu artists in Korea. I remember for one meeting, we met a Namu Home Goods woodworker who gave us each a single candied walnut with some coffee. My American mind is so used to abundance and overstuffing that I was like, that’s it? But, it made me so, so enjoy and savor the one walnut I did have. It’s an extreme example (I probably could’ve eaten a whole bag, they were so good), but it taught me something about enjoying just what’s in front of me.

What role did color play in your decorating process?

These days I’m really obsessed with Namu Home Goods Umber, one of our brand colors. I acquired these amazing vintage Italian barrel back chairs by Giancarlo Piretti and our Nordic Knots rug in Umber as well. I’ve become an extension of the Namu Home Goods brand at the moment. I’m living it in every aspect! The majority of color comes from our art and books. We’re not opposed to color at all, but just happen to feel close to wood and nature and that happens to be represented in our house. 

Do you have a favorite design feature or room?

We spend the most time in our living room, dining nook, art studio, and backyard. Just based on that alone, I’d say those are our favorite spaces.

The art studio has great energy. Joe will paint or work on lines and I will work or read on our daybed and we’ll absorb all the wisdom of our oak tree. We like our living room because it gets great light and we don’t have a TV in the house; we use a projector and have subscriptions to our streaming sites, we’re not off-grid. In the daytime our house is quiet. We play music and listen to the birds chirping.

Our dining nook is special because the Cy Twombly prints were a gift. I bought one for Joe and he bought one for me and we exchanged them without knowing the other got the same thing. It was very funny and I’m glad we got different ones at least. 

Our backyard has the most incredible views of the hills and we get a nice hilltop breeze. I think our home must have been the only house in our neighborhood for decades. Our home was built in 1927, but every other house on our block was built in the ‘80s and ‘90s.

It must have been a quiet existence for a long time.

The post “Our Homes and Lives Don’t Need To Be Perfect”—Diana Ryu on Crafting a Calming Home appeared first on Camille Styles.

Designing a home for someone else is both a creative and collaborative experience. To honor the aesthetics and values of those living in a space, an interior designer will play journalist of sorts, asking questions and evaluating what’s critical and loved. But occasionally, a design project begins with intuition. This is often the case for interior designer Gillian Segal. “Deciding which projects to move forward with is a gut process,” the principal and founder of Gillian Segal Design tells us, emphasizing that this was the case for the renovation of this stunning Craftsman house in Vancouver’s beachy Kitsilano neighborhood. “I immediately fell in love with the client.”

Segal let this kinship guide her as she renovated the charming home of her client, an “incredible” retired woman who lives with her dog Lexie and occasional long-term guests (mainly the client’s two college-aged children). While most of the house’s elements were “in dire need of updating,” Segal recalls, the house, which was built in the 90s, had solid bones. The original heritage-style oak inlay floors, gorgeous stained glass, and “old beat-up” brass door hardware were treasures that Segal salvaged to honor the eclectic, vintage character of the neighborhood.

With her love of blending old and new, bespoke and vintage, Segal chose décor elements that honored the house’s “storied” feel. This included blending heritage and contemporary features, showcased through vintage floor lamps, custom ottomans, a Montauk Sofa couch, Arteriors Home sides tables, and B Zippy & Co. ceramics. A neutral palette allows the eclectic pieces and art collection to shine. 

The finished home is “elegant, unexpected, and effortless,” as Segal describes it. We couldn’t agree more. To get a deeper look at how she pulled it all together, we connected with the talented designer. We must say: this stunning Craftsman house renovation really is the product of sheer talent and intuition.    

How did you honor the original bones of the home?

We wanted to achieve eclectic elegance. To do this, we maintained some of the original features like the inlay oak floors, which we stripped and re-stained to make them feel modern. We kept original wainscoting in the areas we could and added new, more refined moldings with pencil rails for an updated twist. The home featured several stained-glass windows. These were beautiful but the client disliked how traditional they felt, particularly with their palette of all primary colors. Instead of removing them, we designed new windows by creating our interpretation of stained glass. This turned out to be one of my favorite features.

Talk to us about a room that you particularly love. 

This kitchen is one of my favorites that I’ve designed to date. It feels so peaceful, elegant, and inviting. While the materials are seemingly quiet, we focused on the detailing such as the cast metal post running through the island, sculptural bronze pulls, minimalist Bocci Design plugs, and a marble casing around the newly designed stained glass. Selecting light fixtures is always one of my favorite parts of the design process, and this project was no exception. The Pelle pendants with brass with cast paper flowers are a work of art. And the Apparatus Studio fixture in the kitchen is another favorite. It gives off the most beautiful light.

Resilience is key, no matter where you are in life, what you are doing, or what field you are in. Failure happens, you need to learn from it and continue to push forward with a positive mindset. 

What is the inspiration behind the color scheme?

We worked with a fairly neutral palette, layering in subtle hues of color and saving the most saturated hues for the incredible art. We wanted a palette that felt warm, sophisticated, textural, and also representative of the natural hues found along the beaches of the Pacific Northwest.

You layered in so many incredible décor elements. What were some of your greatest finds?

With the more neutral palette, we wanted to focus on materiality to create a layered and warm look. We used lots of natural stones, mostly marbles, and worked with oak in a variety of finishes throughout the home. We also worked with several metals, including cast bronze, patina brass, and blackened steel.

I also love the art collection we built together, which has an emphasis on Canadian artists. The Erin Armstrong pieces in the dining room are so bold and whimsical. We also commissioned Curtis Cutshaw to do the two black and white wall sculptures in the living room that mirror the fireplace and the TV, which is concealed in a cabinet above it. The area rug from The Rug Company in the living room is another personal favorite. A fun fact: After her first party in the home, our client called us with a design emergency: A guest had spilled red wine all over the rug! Thankfully, the wool-silk blend is so durable that it was like new after cleaning it.

You have a talent for keeping the spaces you design balanced and timeless, as well as minimal yet warm. What’s your secret? 

I have made a conscious effort to move more and more towards working with natural products and materials, handmade items, and small-batch pieces that have a story and support a craft or a trade. It’s that bit of imperfection that brings the magic. It’s what brings life and feeling into our home. Without these things, spaces can feel sterile and new rather than timeless. 

Add in layers. Make sure that the layers are different materials, whether it’s for bedding, paint, wallpaper, drapery, or lighting. This approach creates a cozy ambient space. 

What advice can you share for those who are new to design?

The most important thing to offer your client is a personalized experience! We pride ourselves on educating our clients in the design process while making it as stress-free and fun as possible. We strive to create original work for our clients that pushes design boundaries while simultaneously feeling like it represents them. Ultimately, we want to do everything we can to make our clients happy. 

The post “Elegant, Unexpected, Effortless”—This Historic Craftsman Gets a Seriously Sophisticated Upgrade appeared first on Camille Styles.

There’s an undeniable cool factor to all of the Proper Hotels. With a design spearheaded by the master of modern glamour, Kelly Wearstler, and collaborations with the most innovative wellness and culinary pros in the city, a Proper is as much a local gathering place for creatives as it is a sought-after spot for design-minded travelers. It helps that outposts are currently few and far between—you can count the number of hotels on one hand. Last fall, downtown Los Angeles joined Austin, San Francisco, and Santa Monica when it became home to the latest Proper destination. After years of anticipation, the Downtown L.A. Proper Hotel has finally opened its doors in the neighborhood’s booming South Park district.

Of course, Wearstler didn’t hold back with her panache for fusing color, pattern, texture, and vintage in one space—it’s loud, fun, and in your face and we love it! But she definitely took it up a notch when she designed the Downtown L.A. Proper Hotel. Scroll on to step inside the historical property and explore Wearstler’s latest color-soaked project.

*hotel and rooftop photography by The Ingalls

A Hollywood Icon Reimagined

Wearstler projects always have a glamorous air, but the newest Proper destination arrived with a built-in allure. The development process included the careful restoration of a historical landmark with Old Hollywood origins: a 1920s-era renaissance revival building by iconic L.A. architects Curlett & Beelman. Initially, a stylish private club frequented by Cecil B. DeMille and Harry Warner in its heyday, the stately, 13-story structure served as a YWCA in the ’60s—two novelty suites make use of a vintage basketball court and indoor swimming pool. 

Led by the award-winning development team, KOR Group the adaptive reuse project took three years to complete and left Wearstler with an incredible canvas to bring the 1920s icon back to vibrant life.

A Proper Look

With the vestiges of Curlett & Beeman’s work as her base, Wearstler blended the ideals of Mexican modernism (an artistic movement that first flourished in the 1920s) with elements of Portuguese, Spanish, and Moroccan design as a nod to the South Park neighborhood’s multicultural roots. The result is an immersive, intoxicating world of color and warmth.

As referenced above, local collaboration is a key component to all Proper hotels, including in the design process. Wearstler enlisted a group of L.A. artists for custom murals and installations—Abel Macias painted a mélange of Mexican folk art animals in the lobby, glass artisan Judson Studios created a striking stained-glass structure that guides guests to the lobby level’s Caldo Verde restaurant, and ceramic murals by Ben Medansky and Morgan Peck pop with dimension in the Proper pool suite and front desk.

The Rooms

Downtown L.A. Proper’s 148 guest rooms are far from cookie cutter. Vintage furnishings, original window casings, and Wearstler’s fearless approach to gorgeous color create spaces that are homey and inspired. Designed to evoke a residential feel, Proper suites are built for entertaining, while all rooms offer slick views of DTLA surroundings.

The Little Things

A great hotel stay is all in the details, and Proper always does a thoughtful job. Luxury Aussie skincare line Aesop stocks the bathroom with full-size products, a collab between Wearstler and Parachute has your plush robe needs covered, while Vifa speakers let your personalize your room’s soundtrack.  

Additional amenities include complimentary bikes, a state-of-the-art fitness center, and a heated rooftop pool. Visitors and locals can also utilize the 2,600-square-foot historic Cabrillo Club venue, the private screen suite (fashioned from the aforementioned vintage basketball court), and the 2,500-square-foot pool suite which features Medansky’s stunning ivory ceramic mural.

Drinking and Dining

Destination restaurants are a big part of the Proper deal. For downtown Los Angeles, the hotel group tasked James Beard Foundation Award winners and partners Suzanne Goin and Caroline Styne with a dual restaurant and lounge concept.

Downtown Los Angeles Proper’s signature spot is Caldo Verde, a loungey, lobby-level space serving Portuguese- and Spanish-influenced breakfast, lunch, and dinner. Expect dishes like chorizo and eggs with sofrito, hearty salads, prime rib eye with Alentejo butter, and the restaurant’s namesake dish: a Portuguese soup made with local rock crab, kale, and grilled linguiça.

*Cara Cara photography by Dylan + Jeni

Caldo Verde’s sister spot is Cara Cara, a poolside haunt with Piri Piri fried chicken, tacos, and refreshing cocktails to sip while you take in the panoramic downtown views from the Proper rooftop.

The Neighborhood

What’s outside your door is always crucial when deciding on a hotel, but perhaps never more so when you’re in L.A., where a few miles can turn into a few hours in traffic. Fortunately, South Park has plenty to offer. Downtown L.A. Proper is situated at the corner of 11th and Broadway, making DTLA architectural tours and destinations like The Broad Museum, MOCA, or the Crypto.com Arena (née the Staples Center) within walkable reach.

The post Kelly Wearstler Turned the Downtown L.A. Proper Hotel Into a Serene, Color-Soaked Retreat—Step Inside! appeared first on Camille Styles.

There’s a reason why renovation shows have a cult following on TV. Our voyeuristic nature is drawn to that behind-the-scenes process where a run-down space is magically transformed into a modern abode. Who doesn’t love a good before and after! We will never tire of witnessing that creative metamorphosis. So naturally, when a story comes our way that outlines one of these design evolutions, we’re all ears. One such project is Matt Titone’s design collaboration between his wife and brother whereby they transformed their “dingy garage” into a modern beach cabin and haven, aka the surf shack of our dreams. Of course, we wanted to know everything about it.

Keep reading to learn more from Titone on the design/build process, interior inspiration, and challenges in an exclusive excerpt from his book, Surf Shacks, Volume 2.

All images by Mark Seelen unless otherwise noted.

Surf Shacks Volume 2

Surfing is a way of life, one that defines not only where we live, but how we live. Surf Shacks Volume 2 picks up where the first volume left off, exploring homes of surfers, which range from improvised cabins by the beach to penthouse apartments in big coastal cities.

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Surf Shacks Volume 2, by Matt Titone

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Matt Titone, on the garage renovation project

I bought my first home in the Venice-adjacent Mar Vista neighborhood of Los Angeles in 2008. The house was a bank-owned dilapidated wreck that was home to a slew of squatters and junkies before I moved in. It was a tear-down property any way you sliced it, but I poured all of my savings into the down payment and could not afford to make any drastic changes. So, with a lot of help from friends over the years, I took on one household renovation project at a time.

In 2015, my brother, Sam, wife, Courtney, and I decided to transform our old garage (built in 1947) into a separate backhouse. Sam had just graduated with his master’s in architecture from Savannah College of Art and Design (SCAD), my own alma mater. Courtney wanted an opportunity to flex her interior design skills—and to have a place we could host our families while in town since we had our first son on the way. And I was feeling pretty “architecturally inspired” after being a few years deep into the first Surf Shacks book. So we took out a loan and the three of us embarked on a challenging but creatively satisfying project that ultimately strengthened our relationship. Courtney and I have since moved north to Oxnard and Sam lives in Nantucket, but the “Zanja House” (as we like to call it) holds a very special place in all of our hearts. The following pages document the story of our old home in Mar Vista, California. 

Matt interviews Sam Titone, on the design/build process

How did you first discover your passion for architecture?

I’m not sure when things clicked for me that the built environment around us—no matter what scale or setting—was “architecture,” and the people who conceptualized and created these environments were architects. Growing up, I was always building forts, models, skate ramps, and anything I could build with my dad’s tools. We also had a lot of artists on both sides of my family and we always had the freedom and setting to express ourselves with art and design. When it was time for me to decide what profession I wanted to pursue in college, I really just tried to reflect on my interests and all the subjects I excelled at in school. I was either an A or D student, and it was clear my passions and strong suits lay in art, math, and physics. I had no idea that these were the ingredients for architecture. I really took a shot in the dark when I decided to go to SCAD and study architecture when I was 19. I’m still happy with that teenage decision and love how it will be a part of my life until the day I die.

What is it about the design/build process that you love so much?

I love all phases of architecture. Conceptualizing, putting the idea on paper, and ultimately executing the concept in a holistic build. The design/build process is a type of architecture that really puts all phases in one person’s hands and eliminates a lot of potential design sacrifices you might have to make with more cooks in the kitchen, so to speak. These projects are usually smaller in scale and allow for more freedom in a design.

When it came to the backhouse, where did you draw inspiration from? What were your goals for the space?

During my time at SCAD, there were always long breaks in between terms, and during that time, I spent a lot of time staying with you at your house in LA. When I wasn’t trying to squeeze a building project or internship in during those times, there was a good amount of free time when you were working. I had time to surf and ride my bike around your eclectic neighborhood in Venice. I loved seeing the playground of architecture and how most people had backhouses that really stood out as architectural gems. I wanted one—and I really just wanted one for myself while I was out there! The design and inspiration for the project selfishly revolved around designing for myself. You and Courtney were my “clients,” but I was lucky enough that you guys just let me play. We were on the same page with the aesthetic from the get-go, so that allowed me to really go nuts incorporating into the design, and I essentially created a dream space for myself. I wanted an independent, self-sufficient back studio space for me to work, sleep, cook, relax, and enjoy nature. It’s a puzzle that organizes these spaces to allow for openness, privacy, and connection with nature at every step.

Describe the design/build process with the backhouse. What memories in particular stand out in your mind?

Man, it was a wild ride. As with any design/build project, it started with a solid concept and space layout in order for us to get proper permits and functionally accomplish the goals of the project. Then the design really took shape when we had to make all the decisions and design every nook and cranny, mostly on the fly. This was the first project I took through the building department by myself, and that was a learning process in itself. Then essentially being the GC [general contractor] for a bulk of the project was a whole other beast to tackle. I have so many stories that stick out in my mind, but if I were to pick one, it would be just sitting on the roof with a beer pretty much every night when all the work was done for the day. Every day was a crash course in whatever we were doing that week and every day was rewarding.

What were the biggest challenges you were faced with?

Tackling the permitting process for the first time and getting the hot tub in the ground and hooked up. It was by far the diciest part of the process and so exciting when it turned on for the first time. We were so proud of ourselves that we used the hot tub through the rest of the construction, even when there were mounds of dirt and building supplies surrounding the tub.

On the flip side, what about the project are you most proud of?

I would say working on the interior finishes, specifically the white-washed cedar that is everywhere in the interior, and the steelwork with the floating stairs. You and I, along with our jack-of-all-trades friend, Tyler, who did a lot of work on this project, installed all the paneling and made all the built-in millwork with the cedar. It was so rewarding seeing the panels slowly take over the space. I decided to take on all the steelwork on the project as well. I had taken a metal-working class at SCAD and had helped on some builds, but this was a big undertaking for me. I got a welder out of the deal and you got cheap custom steel features. It was amazing proving to myself my designs worked and functioned really well.

What was it like working with your brother—me—and your sister-in-law?

This was a roller coaster, but just like roller coasters, it was fast, exciting, scary, and left you wanting to do it again. I felt a lot of guilt every time you had to write another check and deal with work that had to be redone because of a mistake. You were so gracious to let me take on this project after years of convincing. You wanted to do it, but if it wasn’t for my enthusiasm, you might have been a lot more apprehensive about the undertaking. It wasn’t a straightforward permitting process and a lot of people don’t fully understand the relationship a designer has with their client. It’s an intimate process where you really dive into couples’ relationships and see how they live their lives, what they care about, and what they don’t care about. Ultimately, we had the same goals, had the same aesthetic vision, and it really worked out.

What are your favorite parts of the completed space?

I love the loft. It’s a small library, bedroom, garden space, studio space, and above all just a space to relax with no distractions. It’s where I spend 90 percent of my time while I’m there and is a space I will cherish forever.

What were your biggest learnings from the experience?

Every day was a learning experience and excelled my experience in my field professionally tenfold. I hadn’t worked through a project from start to finish in my career yet. I started this project one year out of school and had just worked on builds for portions of previous projects. I have been working professionally now for seven years and am about a year away from seeing a project built after working on it from day one. Some people in my field don’t get this chance in their whole careers. I am now comfortable working on any project because of this experience.

As I have learned from this book project, passion projects have a way of steering what you do professionally. What has this project led to for you since completion? What do you hope it leads to down the road?

I always knew my passions lie with design/build and this was a chance to really give it a go on my own. This led to a couple of other backhouse projects, and I hope to work on more. I work on high-end residential projects for my day job, and as much as I like working on those, these types of projects are refreshing and allow me the freedom to flex my creative muscles and get my hands dirty with a build. It definitely scratches the itch and I hope to keep working on passion projects like this throughout my career.

Photo by Read McKendree.

Courtney Husk on the interior design process

What do you remember about when we first moved into this house?

You had put an offer on this house before I had a chance to see it in person. The first time I saw the house, I started crying. Not in a good way. The house was in really bad shape. Pretty much everything needed to be replaced or updated. It was a ton of work and we had no idea what we were doing. Not to mention, we had no money. So we flew friends in from the East Coast to demo the house, help install the wood floors and the bathroom tiles, and paint the walls. We were living in the house, along with our friends, as it was being renovated. That first month living in the house was basically like camping with a roof over our heads. I remember the first few nights sleeping on a mattress in the living room while the flooring was being installed in the bedrooms. We cooked meals in a microwave in our dining room while the kitchen was being renovated, and we peed in the backyard and showered at friends’ houses while the bathroom was being remodeled.

When did you first take an interest in interior design?

When I was a kid. Luckily I have amazing parents who embraced my love of interior design and let me choose furniture for our house, new upholstery for the living-room couches, new wallpaper for the kitchen and bathroom, and paint color, bedding, and furniture for my bedroom. My parents built a new house when I was in high school and that was my first experience reviewing architectural plans and watching the plans come to life as the house was being built. It was an incredible experience.

How would you describe your style?

Beachy modern is probably the most succinct description. My style is sophisticated yet playful. I like using fun combinations of pattern, texture, and color.

When it comes to our home, is it hard for you to balance your taste and what you typically gravitate toward with my personal aesthetic?

It took me a while to figure out how to mesh our styles, as your style is more “rustic” than mine. But now I wouldn’t be able to pull our styles apart; they work so well together.

What was your goal with the garage renovation?

My primary goal was to have an inspiring space filled with light and beautiful design that friends and family would enjoy. My secondary goal was to finish the house before our first child, Milo, arrived!

What are your favorite parts of the completed space?

The black-and-white cement floor tiles in the bathroom, the Heath Ceramics backsplash in the kitchen, the floating stairs and raw cedar desk, the white-washed cedar plank walls, the Kohler Purist faucets, the skylight, the folding-door systems, and the hot tub.

Photo by Read McKendree.

What were your biggest learnings from the backhouse experience? And renovating our home in general over the last 12 years?

Go with your instincts, measure everything twice, don’t be afraid to ask the construction crew to correct something that doesn’t match your design vision or meet your quality standards, and always, always test paint colors first!

As I have learned from this book project, passion projects have a way of steering what you do professionally. What has this project led to for you since completion? What do you hope it leads to down the road?

Since this garage renovation project, I’ve since remodeled our bathroom in the front house and designed several bathrooms, as well as created lighting packages and textile packages for friends and family. One day in the future I hope I’m able to work as an interior designer full time, as it brings me so much joy.

Photo by Read McKendree.

Surf Shacks: An Eclectic Compilation of Surfers’ Homes from Coast to Coast

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Surf Shacks: An Eclectic Compilation of Surfers’ Homes from Coast to Coast, $49.87

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The post How a Young Family Turned Their “Dingy Garage” Into the Surf Shack of Their Dreams appeared first on Camille Styles.

Relocating your life to the other side of the world is no small feat. After moving our small family from Australia to Los Angeles six years ago, I know firsthand how challenging it is to say farewell to your beloved community of family and friends not to mention familiar surroundings, culture, and food! But there is always so much more to be gained than lost—just ask Jodie Fried. The former Sydney-based co-founder of Armadillo made the trek 11 years ago with her husband, Greig Fraser, and their three children. And while they have relished every minute of their beach lifestyle in the hip Venice neighborhood of Los Angeles, one of the things they really missed was the Australian perspective on architecture and design.

So, when it came time to build their own home, they merged the California Aussie aesthetics to create a beautiful fusion of both worlds.

“Our Venice House was all about weaving the antipodean architectural details that we couldn’t find in America,” Fried explains. “Greig and I love Australian design, known for its subtle nuances of natural light, proportion, airflow, and quality materials. We found ourselves in the unusual position of wanting both worlds and were determined to bring that Australian architectural culture, which we missed so much, into our life and home in Venice.”

To achieve this, they took the rather “unconventional approach” of engaging renowned Australian architect, Hannah Tribe of Tribe Studio (who is based in Sydney) to design and build their home. “Together, we really dialed into this idea of worlds colliding—Australia meets California, indoor merging with outdoor, and functional family living blended with an elevated design sensibility,” she recalls.

As for the original house? It was a charming Californian bungalow that had been built in the 1920s on the Venice canals, then transported to this plot of land in the 1950s. While “incredibly quaint and full of character” Fried says it couldn’t be salvaged, so they tried to capture its essence in their new build. “One of the old bungalow’s features was its little pitched roof, which our architects paid tribute to,” she recalls. “The upper level, where the main bedroom is, doesn’t sit flush against the walls of the lower level, so it has this quirk of feeling like its own little house sitting atop another house.”

Read on to learn more about this stunning Australian/California design meld, the inspiration, the process, design tips, advice, and so much more! Get your “pin” finger ready for major inspo ahead.

What was your personal goal/vision/directive for the space?

The plan for décor was to keep things distinctly minimalist and Australian, which meant supporting Australian brands. I worked with friend and design consultant Arabella McIntosh—an Aussie expat who has a very grounded style–in selecting the lighting, furniture, and furnishings in every room. Key lighting pieces were from Melbourne-based Anchor Ceramics, along with all the doors and handle hardware from Designer Doorware. 

Outside, we used Eco Outdoor for the pool coping, deck crazy paving, and bluestone steppers. Other outdoor furniture and the fire pit were sourced from Harbour Outdoor. In the main bedroom, we have the most sumptuously soft linen bedding from another Australian brand, Cultiver. And throughout the home are pieces of art from Australian artists including Belynda Henry, Rachel Castle, and Marnie Gilder (a dear friend of mine), just to name a few. Being surrounded by these beautiful Aussie tones and textures really resonates with us and our aesthetic.

How would you describe the home’s architectural style and how did it influence the design process?

While we were exposed to a lot of modern architecture in LA, none of it really spoke to us. We soon realized that we couldn’t find what we were looking for, which was a design sensibility that we’d grown up with—high ceilings, open spaces, indoor-outdoor living, and a respect for light and air—cultural nuances that only an Australian would be able to identify with. It was then that we decided to take it upon ourselves to bring Australia to Venice.

The brief to Hannah was to bring that exact magic that we couldn’t find, the casual yet discerning spirit so typical of our country into our Californian world. The integration of indoor to outdoor living is another trait that is synonymous with the Australian lifestyle.

Can you tell us more about the Australian architect you collaborated with? What did she bring to the table?

I have always admired Hannah’s work, so it was a dream that she said yes and we were able to bring her iconic aesthetic into the unruly and eclectic environment of Venice. As an architect, she is known for her empathetic, experimental, and clean-lined work, which is also influenced by her background as an artist and her personal experiences as a mother.

In particular, Greig recognized a sensitivity in her work and her ability to design outside the boundaries of architectural logic. We felt that her design approach came from a uniquely rich and feminine perspective, where her ideas weren’t necessarily conventional but made total sense creatively.

Despite the strong use of steel and wooden beams, expansive walls, and straight lines, Hannah’s design sensibility created a house that was full of soul, playfulness, and warmth, providing a perfect capsule for our world and our family to happily co-exist.

The design process was extremely collaborative with Hannah and her team in Australia, as we shared ideas, held workshops, and sent plans back and forth for years while we were living in between LA and London. Our passionate builders described the Venice House as a “jewelry box” and it was wonderful watching them figure out the complex and unexpected design, with details not normally seen or constructed within American architecture.

Hannah intuitively understood the focus and importance of our family, food, friends, children, and indoor-outdoor living and was able to seamlessly incorporate all those elements into an architectural form that first and foremost brought great joy but was always practical as well as beautiful.

Describe the surrounding neighborhood—how does your home adhere to the LA/California vibe or does it totally break the mold?

Our family has lived in Venice since we first put down roots in LA. Located just a few blocks away from the beach, it has a classic Cali vibe that lends itself to our family life. To be able to go for a surf or a swim as part of your day-to-day lifestyle is just so healthy, both physically and mentally. At the same time, Venice is slightly edgy and eclectic with this diverse community of like-minded, colorful creatives—artists, filmmakers, writers, musicians, foodies, and a lot of expats!

Even though it has been gentrified over the years, you still feel its underlying roots in the fabric and diversity of the neighborhood. Where our home does embody the nature-centric lifestyle of Venice, with our downstair space flowing directly outdoors, it does break the mold of the very modern styles we are surrounded by.

How would you describe your style and approach to design/decorating?

Our vision for this house has been about 10 years in the making because the home encapsulates everything that we came across in our travels together that we loved. We banked so many ideas from experiences we had with architecture and design overseas, which we then threaded into the design of the home. You would often find me taking photos and sourcing door handles from a hotel in Mexico, or Greig discreetly taking the dimensions of ceiling heights and doors in the strangest of places! We started dreaming of this well before we had our children, and the architectural vision just kept evolving as our family grew.

How did you decide on the color scheme?

As creatives, we wanted to create a sanctuary that would give our minds a break, leading us to move in the direction of avoiding color and adopting a neutral palette throughout our home.

What’s your favorite thing about the space?

I just love the downstairs 10-foot cavity sliding doors which seamlessly disappear into the walls, opening up the kitchen right out onto the deck and the pool. One of my favorite things is being able to cook and socialize in the kitchen and watch the children in the pool simultaneously! It truly feels like there is no boundary at all, just this beautiful overflow of the inside into the outdoors. It’s user-friendly without compromising on style, which really distills the ethos behind the Venice House of marrying functionality with architectural joy.

Do you have a favorite piece of furniture? If so, what makes it the perfect piece for your home?

For the living room, we worked with Eco Outdoor to have a sofa custom made from 100% Belgian linen. It is not only coated for outdoor use, with covers that could be removed and machine-washed but can literally be hosed down! It was the perfect harmony of aesthetic and ergonomic joy, as well as sensible practicality. We also didn’t want to wait until the kids left home before we got a natural linen sofa!

What were your greatest finds?

I adore the wooden carved bench in our entry for the organic shape and its solid and grounded nature. It is such a beautiful piece to welcome anyone into our home.

Did you run into any budget or timing constraints? If so, how did you work to resolve them?

We were well aware that we would most likely run into budget and timing constraints given our taste and expectations, so we deliberately took our time with the design and build, which allowed for easier cash flow. We also found that often budget issues were always not a bad thing, as those situations made us think harder about the problem at hand, and most of the time we came up with more interesting and thoughtful solutions.

What do you think your home says about you?

We hope that the space reflects the value we place on having a home and welcoming others into our sanctuary. We wanted to create distinct characters in the home. The open, public spaces of the house, that are social and loud with family activity, are downstairs. The upstairs, by contrast, is discreet and quiet and the spaces are all spaces of retreat.

We love the nuanced, neutral, and minimal approach throughout—how do you keep your designs so balanced and timeless while still warm and approachable?

We wanted our house to feel like it could be fearlessly lived in and truly enjoyed, not delicate or overly precious. With a young family, it had to be strong and robust, so the priority was to choose materials, surfaces, and finishes that would withstand everyday use. It takes time and a bit of hunting, but it can be done. We also found that a “less is more” approach for the interiors truly let the architecture do the talking, balancing the space with more relaxed luxury.

Can you outline your minimalist approach to designing? What role does color play when designing/styling your home?

What is so special about the Venice House is that it is completely tailored to our family, giving us permission to make what some might see as unconventional decisions. For instance, because Greig and I both have very busy creative day jobs, we made a conscious choice not to fill our home with a heap of things. There is very little art hung on our walls because we both spend all day looking at images and when we come home, we want to have the literal blank space to unwind. For the most part, we’ve also avoided color because sticking to a neutral, monochromatic palette gives us the chance to reset creatively. There is a real joy in having a home that so pointedly suits your needs.

How regularly do you edit your home? In a bid to keep your space so pared-back and minimal?

I think it actually starts with being really curated and considered about what you allow into your home. Here at Armadillo, we are real advocates for the slow design philosophy, which is about choosing objects with longevity in their aesthetic and quality, that either has real functionality or bring you special joy. In this way, the home becomes an ever-evolving place where you can simplify, slow down and engage more deeply with the people around you.

Any advice for creating a space that’s minimal yet still warm and inviting?

Texture, texture, texture! It’s possible to adhere to a minimalist aesthetic but still make your home feel rich and interesting by keeping the palette neutral but leaning into contrasting textures—rustic and refined, soft and hard, subtle and bold.

Do you have any words of wisdom to share with would-be decorators about to embark on a home design project? What advice can you share for those who are new to design?

If this is your first project or even if you’ve got some experience under your belt but there is a level of complexity involved, it’s important to find experts that you can trust. Building or renovating a home can be one of the most stressful moments in our lives, so having an architect, builder and interior designer you can depend on and openly communicate with is key to riding out the bumps in the road.

Any design tips or tricks you can share?

Try as much as you can before committing. We would map out in blue tape on the floor potential pieces of furniture, we would stick colors of artwork on walls, build mini versions of kitchen islands out of boxes, and hang fabric from windows and do loads of photoshop mockups. We were determined not to have any unwanted surprises!

What’s the best piece of decorating wisdom you’ve ever heard?

Take your time and live and get used to the space before you start decorating. So many people told us this when all I wanted was a perfect home full of everything I had bookmarked over the years the minute we finished the build. But I learned that the more time you spend discovering how the light plays, understanding how you use the space, and figuring out exactly what you want to feel in a space, this will help to really make your choices meaningful and authentic, rather than just “decoration”.  

How has COVID-19 impacted your relationship with your home?

For all of us, there has definitely been a newfound appreciation for our homes as a place of refuge and comfort. At the same time, spending so much time in one place has made us realize how much our surroundings can shape our energy and emotions, so it’s forced a reckoning on what we really need and want from each space. Multi-functional spaces are here to stay but we also need quiet spaces where we can be alone and unwind. Above all, though, I think COVID-19 has taught me that home is really wherever my family is.

Describe a typical work-from-home day…

I am an early bird. With the Armadillo team spread over so many different time zones, I like to use the quiet early hours of the mornings to get on top of things, then by the time the morning school hustle starts, I have already got three hours of work under my belt! I always ensure I implement some work-life balance with pilates at home or in the studio, connecting with other creatives and cooking. With all this working from home, it is more important than ever to make sure you focus on breaking up your day.

The post Prepare Your Retinas… This Stunning Home Is a Slice of Australia in the Heart of Venice, Los Angeles—Step Inside! appeared first on Camille Styles.

There’s no denying we love to decorate around here. In fact, restyling bookshelves or a coffee table is our version of meditation. But what if you had the opportunity to build and decorate an entire home from the ground up? Now, that is the dream and it’s why we fell in love with Ashley Robertson’s home tour so much. The founder of The Teacher Diva fashion blog built her five-bedroom home in Dallas, Texas from scratch in 2018 and we’ve been living vicariously through her ever since. Now she and her husband, Austin, and their two boys—George and Charlie—live happily ever after, well, at least it looks that way from the pictures.

But, of course, she didn’t do it alone. For this project, Robertson joined forces with award-winning interior designer, Ginger Curtis of Urbanology Designs to create a home that really was an extension of her personal style: modern elegance with a hint of glam! “I like to consider the entirety of a space, its surroundings, as well as the people living in it,” explains Curtis. “I also look back in time to find inspiration from decades past. I’m very moved by nature and organic artisan moments.” Being able to design this home from start to finish with full creative freedom was a dream come true for Robertson and Curtis really delivered on her wish list. “We wanted to create a space for Ashley and her family that was not only livable/comfortable but on-brand with her style and business, too,” she outlines. “She uses her home as the backdrop for a lot of her content and it was so important we considered this.”

Keep scrolling to learn more from both Curtis and Robertson on how this beautiful home came to fruition, including some tips for new designers or homeowners just getting started. Get ready to pin everything because this one is a stunner!

How would you describe the home’s architecture style?
GINGER CURTIS: Traditional modern. Recognizable architectural features but with a fresh modern take. 

Did you run into any budget or timing constraints?
CURTIS: We stayed right on track with the budget (with a few splurges). The biggest time delay was in the construction phase, we patiently worked through that. Ashley and Austin had such a great attitude and were so incredibly patient. 

How did you and Ginger decide on the color scheme?
ASHLEY ROBERTSON: She knew I wanted neutrals but also stretched me to do things out of my comfort zone… and I’m so glad she did!! I was set on an all-white kitchen and she encouraged me to use black and wood details. I love it.

What were your greatest finds?
ROBERTSON: Gosh so many. Probably our light fixtures. I love all of them so much. Oh, and the marble on our island. It is so different from what I see in a lot of other spaces. It feels like art to me.

 We love the nuanced, neutral approach throughout—how do you keep your designs so balanced and timeless?
CURTIS: Lots of texture and interesting moments with art, lighting, and soft pattern. 

Can you outline your minimalist approach to designing?
CURTIS: We start and consider the most foundational elements of the home first, this includes, floors, walls, ceiling, and outside view. It is such a fine balance of not adding too much or too little. We work to carefully edit pieces in and oftentimes edit back out until we get just the right balance. Color is really important, this above anything else will evoke and drive mood in the space. Choose the colors you want to incorporate carefully. Ask yourself what mood/feeling do you want each room to evoke. In our new book Beauty by Design, we have a whole chapter dedicated to this. 

What do you think your home says about you?
ROBERTSON: We like to be design-forward while having a home that we can actually “live” in. We have two little boys and needed a space for them to grow and play. Curtis was able to give us the design and look we wanted while having space for the boys to play. I don’t want people to come in and feel like they can’t sit on or touch anything.

Any advice for creating a space that’s minimal yet still warm and inviting?
CURTIS: Natural and organic elements always bring a beautiful warmth and texture to a space. That lovely mix of modern but cozy. 

What’s your favorite thing about the space? Do you have a favorite design feature or room?
ROBERTSON: My favorite rooms are the office and the main bedroom. The office is very dramatic and everyone who comes in the house wants to stop and take a peek inside. This also means I have to make sure it’s clean, ha! My office has some really cool moments that I think people are naturally curious about it. Our bedroom just feels so relaxing and calm. Curtis wanted it to feel like a hotel room, and I think she nailed it.

What advice can you share for those who are new to design?
CURTIS: Take risks, don’t be afraid to experiment with new ideas or where you draw your inspiration from. 

List your primary design influences specifically, what design principles do you borrow and implement within your own practice?
CURTIS: I have to point to the queen here, Kelly Wearstler. Her ability to break away from symmetry and still create balance is a marvel. We often look for intentional ways to create interest through asymmetry. 

Any design tips or tricks you can share?
CURTIS: Double up! We love to do double or even triple the width of curtain panels to create massive volume and texture. Fabric is great, but more fabric is even better!

Do you have any words of wisdom to share with would-be decorators about to embark on a home design project?
CURTIS: Be patient—so, so patient. There are a lot of industry challenges beyond anyone’s control due to the supply chain issues, and we are all going to have to wait just a bit longer for our projects to be complete.

The post Ashley Robertson’s Home Tour Is Everything You’d Expect: Modern, Elegant, With a Hint of Glam! appeared first on Camille Styles.

It’s the most magical time of the year, and aside from making gingerbread man cookies and ticking things off our winter bucket list, we’re most excited about getting up the Christmas tree and filling our homes with festive cheer. And while we love traditions, we also love to switch things up and infuse our own take on the season. So this year, we’re following the lead of Anastasia Casey—founder of The Identitè Collective and IDCO Studio—with a modern holiday decorating approach that skips the sparkles for a neutral and natural theme.

Simple, neutral, and natural was the goal, so Casey infused her monochromatic aesthetic, layering in texture and pattern with holiday greenery to evoke a woodlands scene straight out of a modern fairytale. Having just finished a full renovation last year, she couldn’t wait to decorate the new space for the holidays. “The holidays to me are about gratitude for the abundance we experience throughout the year, so I tend to keep things feeling very natural when I decorate,” she shares. “I tried to focus on ideas that felt appropriate to the ongoing pandemic: sustainability, simplicity, ease of storage, and efficiency.”  

Our favorite detail? The beautiful fawn-colored velvet ribbons. In fact, Casey says this was the starting point for her modern holiday decorating and inspired the entire color palette throughout the rest of the home. To make them feel festive but not cliché, she opted for color blocking and varying texture. After sourcing local beeswax candles, Casey pulled inspiration from their golden buttery hue and played that up with the ribbon. “Even though it’s minimal, the color-blocked approach creates a significant moment,” she states. We couldn’t agree more.

Take the tour to see Casey’s modern holiday decorating approach, then shop the look:

Tell us more about the color palette. 

Every holiday season, I pick a color palette and run with it throughout the whole house. I like to let the greenery be the focal point, so I usually select two or three monochromatic hues to complement it. I went with a muted copper hue and a faded marigold. They share a similar tone and complement each other while differentiating themselves enough to feel unique. Just three bolts of velvet ribbon were enough to decorate my entire house. 

The greenery is gorgeous.  Tell us about it. Any tips for maintenance? 

All the gorgeous greenery came from Lulu & Georgia. Because I was going natural on all our wreaths and garland, I immediately soaked them in a bathtub overnight. This gives your live greens one good final drink after their travels and prepares them for an extra week or two on your walls. Once the greenery has been hung, I mist them with a squirt of water once or twice a week. We’ve had a particularly warm fall season so far here in Austin, so I’ve been spraying water my greens every other day.

What’s the trick to pulling off a look that doesn’t feature a typical Christmas color scheme?
I always steer toward slightly “off” colors. Faded mustards, dusty heathers, deep cobalt—the trick to making it feel holiday is using satin or velvet ribbons and skipping the sparkles. 

Setting the candles on top of greenery is a nice touch. Any tips for this? 

Safety is always my top priority when decorating for the holidays, so making sure these candles were stable was imperative. Instead of using a traditional garland, I just clipped individual olive branches and tucked them in around the candles so they could sit flat on the mantle.

What’s the best approach for recreating this mantel look? Any tricks people can steal?

Get as many varied sizes of candles as you can, and then buy 20% more. The best way to recreate this look is to group the candles together very closely leaving little room between them. It makes for a more editorial effect and feels less kitschy. When it comes to stocking styling, less is more! A few simple velvet ribbons tied loosely in monochromatic colors elevate the entire look.

What type of greenery works best for this mantle look and were you inspired by the artwork when choosing it?

This look works universally with whatever greenery you can find. Throughout the season, I actually clip new branches from my yard and replace them every two weeks to keep the mantle fresh and green. These particular branches are olive branches, a traditional symbol of peace, which I sourced locally from a hill country olive orchard. Once I had my color palette selected, I used my Samsung Frame TV to find complimentary art to feature. This one is a Rembrandt from the Samsung Art Store. I love this TV because I have access to archives of artwork from top museums around the world, which makes switching it up for the season so simple.

We really love the other natural elements you used in the décor, can you expand on that?

This year, I specifically decided to focus on natural wreaths and garland for my holiday décor and I love the way it makes the house smell, especially when you use unexpected greenery like bay leaves, olive branches, or eucalyptus garland. In the kitchen, I love to decorate with the season’s harvest: bowls of persimmons, pomegranates tucked into open shelves and mini rosemary trees on the counter that I cook with all winter long.

Any tips for folks that don’t have a big budget for decorating?  

Yes, use what you have! Utilize the items you already have around your house, in a new way. The holidays are all about sparkle, so group your brass or chrome decor accents spread throughout your home into more strategic placements. Metallic lamps, sculptural objects, or glimmering storage boxes make for the perfect amount of sparkle when sprinkled in a room.

We love how you incorporate art into your space.  Tell us about mixing it up for the holiday. 

From thrifted vintage landscapes to budget-friendly downloadable prints, switching out your artwork to something more seasonal is a designer trick that just makes things feel special. I have a large snowy landscape my great-grandmother painted that I hung in our living room which instantly sets the tone for the entire space. Tucking small printables in metallic frames throughout your bookshelves is a timeless trick that sparks mini-moments of joy.

We love how simple the holiday décor is, and how it complements the space. Was that intentional?
If there is one thing I’ve learned over the past 18-months or so,  it’s that simplicity is a luxury. Every moment in your day has an opportunity to be special, and sometimes it requires stripping back the excess in order to find it.  I recommend decorating in phases if decking out your home feels too intimidating for a weekend. A small wreath hung bedside is all a bedroom may need to feel festive. Crystal clear twinkle lights may be all your tree needs for now, and you can add ornaments as a family in a few weeks. Enjoy each moment as it comes and appreciates the beauty in simplicity.

Now, Shop the Look to Achieve Modern Holiday Decorating at Home…

DECORATIONS

Lulu and Georgia Fresh Handmade Atlas Wreath

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Lulu and Georgia Fresh Handmade Atlas Wreath, $95

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Lulu and Georgia Fresh Handmade Seeded Eucalyptus Wreath

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Lulu and Georgia Fresh Handmade Seeded Eucalyptus Wreath, $80

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QIANF Vintage Khaki Velvet Ribbon

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QIANF Vintage Khaki Velvet Ribbon, $17.99

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SuperMoss Sheet Moss

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SuperMoss Sheet Moss, $40.70

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Morex Velvet Ribbon

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Morex Velvet Ribbon, $26.28

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ENTRY

McGee & Co. Decker Table Lamp

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McGee & Co. Decker Table Lamp, $375

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Threshold x Studio McGee Belmont Shore Console Table

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Threshold x Studio McGee Belmont Shore Console Table, $220

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McGee & Co. 18″ Cabinet Maker’s Picture Light

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McGee & Co. 18″ Cabinet Maker’s Picture Light, $380

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Jeld-Wen Lite Unfinished Wood Door

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Jeld-Wen Lite Unfinished Wood Door, $942.57

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Arlo Blinds Cordless Tuscan Bamboo Shades

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Arlo Blinds Cordless Tuscan Bamboo Shades, $47

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Brentwood Store Large Box Pleat Empire Lamp Shade

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Brentwood Store Large Box Pleat Empire Lamp Shade, $104.99

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McGee & Co. Leather Crafted Tray

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McGee & Co. Leather Crafted Tray, $103.99

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Pac Trim Primed Shiplap Interior Siding

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Pac Trim Primed Shiplap Interior Siding, $96.78

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LIVING ROOM

Arlo Blinds Cordless Tuscan Bamboo Shades

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Arlo Blinds Cordless Tuscan Bamboo Shades, $47

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France & Son Three Drawer Chest On Legs

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France & Son Three Drawer Chest On Legs, $2,616

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WAC Lighting Black Blade Ceiling Fan

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WAC Lighting Black Blade Ceiling Fan, $224.29

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France & Son Holmes Coffee Table

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France & Son Holmes Coffee Table, $678

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McGee & Co. Raine Pillow Cover

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McGee & Co. Raine Pillow Cover, $128

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CB2 Stairway White Wall-Mounted Bookcase

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Senjania Tunisian Clay Beads

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Senjania Tunisian Clay Beads, $108

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McGee & Co. Eileen Console Table

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McGee & Co. Eileen Console Table, $1,900

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Jenni Kayne Ynez Pillow

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Jenni Kayne Ynez Pillow, $145

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Samsung The Frame Series 55″ TV

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Samsung The Frame Series 55″ TV

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Bloomist Antique Chinese Stool

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Bloomist Antique Chinese Stool, $108

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McGee & Co. Mira Pillow Cover

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McGee & Co. Mira Pillow Cover, $78

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Lulu and Georgia Charleston Sofa

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Lulu and Georgia Charleston Sofa, $3498

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Shoppe Akriti Throw

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Shoppe Akriti Throw, $450

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Lulu and Georgia Bungalow Rug

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Lulu and Georgia Bungalow Rug, $1,012

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Bloomist Papier Maché Bowl

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Bloomist Papier Maché Bowl, $108

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McGee & Co. Decker Table Lamp

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McGee & Co. Decker Table Lamp, $375

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McGee & Co. Lucille English Roll Arm Chair

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McGee & Co. Lucille English Roll Arm Chair, $2,400

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DINING ROOM

West Elm Holland Dining Chair

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West Elm Holland Dining Chair, $339

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McGee & Co. Preston Round Dining Table

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McGee & Co. Preston Round Dining Table, $3,610

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Shoppe Hood Chandelier

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Shoppe Hood Chandelier, $4,300

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Pottery Barn Faux Potted Olive Trees

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Pottery Barn Faux Potted Olive Trees, $299

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Monroe Antique White Resin Composite Planter

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Monroe Antique White Resin Composite Planter, $93.48

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Clare Fresh Kicks Paint

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Clare Fresh Kicks Paint

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Arlo Blinds Cordless Tuscan Bamboo Shades

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Arlo Blinds Cordless Tuscan Bamboo Shades, $47

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KITCHEN

Crate & Barrel Miguel Highball Glass

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Crate & Barrel Miguel Highball Glass, $6.95

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Macy’s Rim Bone China Dinner Plate

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Macy’s Rim Bone China Dinner Plate, $11.89

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Crate & Barrel Sloan Black Dinner Plate

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Crate & Barrel Sloan Black Dinner Plate, $10.95

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Crate & Barrel French Kitchen Marble Rolling Pin

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Crate & Barrel French Kitchen Marble Rolling Pin, $24.95

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McGee & Co. Somerset Bread Board

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McGee & Co. Somerset Bread Board, $115

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Bloomist Brown Novah Ceramic Pitcher

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Bloomist Brown Novah Ceramic Pitcher, $40

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Caraway Non-Toxic Ceramic Non-Stick Cookware Set

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Caraway Non-Toxic Ceramic Non-Stick Cookware Set, $370

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KitchenAid French Door Refrigerator

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KitchenAid French Door Refrigerator, $2,249

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Clare Greige Paint

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Clare Greige Paint

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Idealux Glass Storage Jars

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Idealux Glass Storage Jars, $26.99

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French Home 5 Piece Kitchen Knife Set

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French Home 5 Piece Kitchen Knife Set, $117.99

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Hallman Single Oven

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Hallman Single Oven, $3,099

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McGee & Co. Lupe Sconce

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McGee & Co. Lupe Sconce, $175

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Rejuvenation Ball Cabinet Knob

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Rejuvenation Ball Cabinet Knob, $12

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Rejuvenation Rigdon Drawer Pull

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Rejuvenation Rigdon Drawer Pull, $32

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McGee & Co. Dean 24″ Picture Light

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McGee & Co. Dean 24″ Picture Light, $700

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Pac Trim Primed Shiplap Interior Siding

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Pac Trim Primed Shiplap Interior Siding, $96.78

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BEDROOM

McGee & Co. Brushed Charcoal Vase

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McGee & Co. Brushed Charcoal Vase, $248

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West Elm European Flax Linen Duvet Cover & Shams

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West Elm European Flax Linen Duvet Cover & Shams, $125

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Emtek Passage Providence Knob with Rectangular Rose

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Emtek Passage Providence Knob with Rectangular Rose, $102.4

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Safavieh Home Dilan Brown Leather Weave and Black Safari Accent Chair

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Safavieh Home Dilan Brown Leather Weave and Black Safari Accent Chair, $589.95

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Etsy Brass Stump Sconce

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Etsy Brass Stump Sconce, $410

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Urban Outfitters Amelia 6-Drawer Dresser

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Urban Outfitters Amelia 6-Drawer Dresser, $849

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Arlo Blinds Cordless Tuscan Bamboo Shades

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Arlo Blinds Cordless Tuscan Bamboo Shades, $47

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McGee & Co. Raine Pillow Cover

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McGee & Co. Raine Pillow Cover, $128

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Samsung The Frame Series 55″ TV

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Samsung The Frame Series 55″ TV

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McGee & Co. Waverley Stool

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McGee & Co. Waverley Stool, $280

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McGee & Co. Huxton Nightstand

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McGee & Co. Huxton Nightstand, $1,050

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McGee & Co. Rosamund Desk

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McGee & Co. Rosamund Desk, $2,835

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Clare Grayish Paint

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Clare Grayish Paint

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Illuminate Vintage Black and Brass Sconce

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Illuminate Vintage Black and Brass Sconce, $140

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McGee & Co. Lucille English Roll Arm Chair

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McGee & Co. Lucille English Roll Arm Chair, $2,400

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Visual Comfort Halifax Table Lamp

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Visual Comfort Halifax Table Lamp, $879

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McGee & Co. Geddes Bed

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McGee & Co. Geddes Bed, $1,900

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BATHROOM

Rejuvenation Arched Mantel Metal Framed Mirror

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Rejuvenation Arched Mantel Metal Framed Mirror, $689

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Matte Black Shower Head

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Matte Black Shower Head, $189.55

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McGee & Co. Vendome Double Sconce

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McGee & Co. Vendome Double Sconce, $340

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Emtek Passage Providence Knob with Rectangular Rose

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Emtek Passage Providence Knob with Rectangular Rose, $102.4

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The post A Natural Approach: We’re Following Anastasia Casey’s Lead and Skipping the Sparkles This Holiday appeared first on Camille Styles.

Modern minimalists on the hunt for home design inspiration are likely well versed in the Instagram of Sarah Sherman Samuel. The designer and influencer’s page is awash with striking scenes that stand out in the internet’s sea of homogenous home décor. Samuel’s style might look simple at first, but the careful layering of color and patterns creates something truly unique. And though the designer typically sticks to soothing, natural hues, Samuel just debuted a boldly renovated guest bathroom in her Michigan home that takes her effortless look to a Parisian level.

The goal: a guest bathroom that could transport visitors to a boutique hotel, a plan that also allowed Samuel to have a little fun. We’re talking striking checkerboard pattern-lined space with fixtures finished in a Champagne bronze (warm, but not too blingy). The undeniable focal point, however, is the oversized Allied Maker sconce surrounded by marble—not even the freestanding tub could compete.

The project also offered Samuel the opportunity to finally incorporate her own line of door and drawer fronts with Semihandmade. They make semi-custom door fronts for IKEA cabinets and are likely the common denominator behind your favorite kitchen inspiration on Pinterest (the company has worked on past projects with Karlie Kloss, Emily Henderson, Athena Calderone, and Justina Blakeney). 

We spoke with Samuel about the design process, the inspiration behind her bold choices, and advice for aspiring bathroom renovators who want to make their space interesting, but not too overwhelming.

You mention wanting the guest bathroom to have a boutique hotel feel. Were there any destinations you took inspiration from?

Sarah Sherman Samuel: I was inspired by my trips to Paris—the special touches in a Parisian cafe and classic motifs of the checkerboard pattern. 

The oversized Allied Maker sconce is incredible. Do you have a favorite feature about the space? 

The touch of wood from the sconce is so pretty, and the marble accent around that sconce makes that focal point my favorite feature.

What are some items you always ensure a guest bathroom is stocked with when visitors are over?

I like to leave a carafe of filtered water with drinking glasses, freshly laundered towels, and bath salts for soaking. 

I love how bold the color is. For those wanting to try something beyond neutral, would you recommend designing the guest bath?

I wanted to highlight the Desert Grey color from my Semihandmade collection (it was my first time getting to use my own Quarterline collection), and I had it color-matched for the paint and used it on the ceiling, door, and trim to go really bold. With it being a guest room—since it’s not a room you use every day—you get to go a little bolder and have more fun with the design. 

Any words of wisdom for those trying to have a little design fun with their own guest bathroom?

Build around a central focal point for an interesting but not overwhelming room. 

Describe the aesthetic of the room in three simple adjectives: Bold, thoughtful, interesting.

The post Sarah Samuel Sherman’s Guest Bathroom Makeover Is a Parisian Dream—Step Inside! appeared first on Camille Styles.

For many of us, our homes are not just the place we live—they’re also our creative outlets, passion projects, and ever-evolving works in progress. Growing up, my mom was always rearranging a room, trying out new curtains, or even repainting bedroom walls to reflect her mood and break out of a rut. And now when I find myself with a couple of extra hours of downtime on the weekend, my living room shelves and coffee table are calling my name. It’s always time for a refresh, but the changing of the seasons is an especially fun time to do it. And the beauty is, with a few simple styling tricks up your sleeve, you can make a space feel new without buying a thing. Okay, maybe just one or two things, but the point is, you do not have to go out and buy expensive new furniture to spruce up your fall living room décor.

It was around this time last year that I showed you guys our living room updates… which means I’ve been craving a few simple tweaks to freshen things up lately. I certainly wasn’t ready to race out and buy new furniture, so I focused on those smaller home accessories (think vases, candles, and coffee table books) that are relatively affordable but make a major impact. Scroll on to see how I cozied up our living room for fall with lots of texture, seasonal branches, and one neutral yet totally statement-making rug.

Barnaby Lane Tanner Armchair – Rose Blush

I added these pretty leather armchairs to our living room last year, and I’m every bit as in love with them today. When it comes to layering neutrals, opt for varying fabrics to diversify the mix. This handwoven leather chair is an invitation to relax and reset.

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Barnaby Lane Tanner Armchair – Rose Blush

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Lulu and Georgia Maleena Rug

If you want to bring warmth into a room, add texture. It’s the most transformative fall home décor tip because it honestly makes such a huge difference to any space. This rug has beautiful geometric lines and is beyond soft under my feet.

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Lulu and Georgia Maleena Rug

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Pillowfort Faux Fur Floor Pillow Cream

If you’re looking for fall living room décor on a budget, look no further—this is definitely the most affordable item of “furniture” in the space. I love a pouf for lounging around the coffee table to play board games or drink wine in front of the fire.

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Pillowfort Faux Fur Floor Pillow Cream

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Pottery Barn Artisan Hand Painted Earthenware Vases

The entire CS team is obsessed with vintage vessels and this artisanal vase has all the antique charm with its aged patina.

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Pottery Barn Artisan Hand Painted Earthenware Vases

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Jenni Kayne Large Alpaca Basketweave Throw

Splurge-y? Perhaps, but worth every penny thanks to its softness and luxurious drape. This throw makes a really special gift for just about anyone who loves to curl up and chill as much as I do.

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Jenni Kayne Large Alpaca Basketweave Throw

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Threshold x Studio McGee Surfside Wood Round Accent Table

I love the rounded shape of this side table so much, I bought two (the other lives in Adam’s office.) We’re huge fans of the design team at Studio McGee so it’s no surprise that we fell hard for this season’s collection of furniture and décor at Target.

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Threshold x Studio McGee Surfside Wood Round Accent Table

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Lulu and Georgia Lemieux et Cie Mouren Sculpture

I love the rounded, sculptural lines that this brings to my bookshelves, and it’s a nice pop of white against the dark wood.

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Lulu and Georgia Lemieux et Cie Mouren Sculpture

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Afloral Natural Sun Palms

Who says palm trees are for summer vibes only? The sunbleached shade of these dried palm fronds evokes fields of wheat… but in a way that goes much better with the beachy feel of our home.

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Afloral Natural Sun Palms

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Crosley Coda Record Player With Speakers Shelf System

While the world has switched to streaming, there’s something inherently calming and cozy about going old school with a record player. Playing vinyl by the fire with a glass of wine sounds is my idea of autumn heaven.

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Crosley Coda Record Player With Speakers Shelf System

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Lulu and Georgia Rica Lumbar Pillow

Woven with naturally dyed wool, this pillow features intricate geometric patterns throughout. This handmade decorative lumbar pillow brings artisan appeal to your fall living room décor.

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Lulu and Georgia Rica Lumbar Pillow

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Threshold x Studio McGee 11″ x 8″ Rustic Vase Brown

Whether displaying fall branches or left empty, my bookshelves are always layered with pieces I love like this stoneware vase. You can never have too many vessels, right?

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Threshold x Studio McGee 11″ x 8″ Rustic Vase Brown

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American Cowboys

This stunning large-format book is a true art piece, highlighting the culture, the families, men, women, children as well as rodeo and ranching communities in the heartland of the great American West and beyond.

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American Cowboys

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Surf Shacks

If you fantasize about a life that begins each day on the ocean, this book is for you. Full of inspiring people and places, it’s got a year-round home in my living room.

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Surf Shacks, by Matt Titone

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Lulu and Georgia Vale Icelandic Sheepskin

There is nothing quite like the luxurious feeling of a sheepskin rug. It invites you to lay down and rest—something we could all use right now.

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Lulu and Georgia Vale Icelandic Sheepskin

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Hearth & Hand x Magnolia Chunky Stripe Fringe Throw Blanket

If you’re only going to memorize one fall living room décor tip, make it this one: cozy throws are a must to give any living room maximum comfort and coziness and punch up a neutral space with texture.

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Hearth & Hand x Magnolia Chunky Stripe Fringe Throw Blanket

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Lulu and Georgia Arlene Bench

This unfinished reclaimed teak wood bench is truly timeless. I’m really liking the rustic touch it currently adds to our living room, but when I’m ready to change things up, it’ll look equally beautiful at the foot of our bed or pulled up to the table when we need extra seating.

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Lulu and Georgia Arlene Bench

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Lulu and Georgia Harolyn Bowl

This terra cotta bowl is simply beautiful as a decorative feature on its own or add some Palo Santo and watch the smoke rise as it fills your space with its meditative scent.

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Lulu and Georgia Harolyn Bowl

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Lulu and Georgia Josline Floor Lamp

I didn’t realize how much my living room was missing a floor lamp until I got this one and experienced its magical glow on my bookshelves, especially as the sun sets in the evening. I love the bit of contrast this matte black design gives against our white walls.

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Lulu and Georgia Josline Floor Lamp

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Dear Keaton Aliso Natural Coffee Table

This stunning coffee table really set the tone for my neutral living room. The surfboard-style shape reminds me of the coast and brings a touch of Malibu into my Austin home.

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Dear Keaton Aliso Natural Coffee Table, $1,309

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Dear Keaton Briarwood Large Rush Basket

When your style skews more minimalist, you want to keep it that way, even when your kids don’t necessarily agree. Stylish storage like this perfect woven basket is clutch to always having a place to stash the things I don’t want in clear view.

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Dear Keaton Briarwood Large Rush Basket

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Lulu and Georgia Salamat Ceramics Canal Vase

Everyone needs a vase this cute in their lives. Whether it’s on my coffee table or bedside, a few blooms or dried flowers are all it takes for a perfect little vignette.

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Lulu and Georgia Salamat Ceramics Canal Vase

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Threshold x Studio McGee 8″ x 9.5″ Rustic Vase Brown

If you’re looking for fall décor ideas that won’t break the bank, here’s your formula: an incredibly affordable oversized vase that looks way more expensive than it really is, plus fall branches pruned from your nature walk. It doesn’t get much prettier!

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Threshold x Studio McGee 8″ x 9.5″ Rustic Vase Brown, $25

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Henri Matisse The Cut-Outs

My forever favorite, this book adds a single splash of saturated blue to my living room, and I couldn’t love it more. Matisse cut-outs forever.

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Henri Matisse The Cut-Outs

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Threshold x Studio McGee Decorative Sculptural Geometric Folded Bowl

I ordered this bowl online, and when it got delivered it turned out to be about 4x bigger and heavier than I was expecting… and I’m not one bit sorry about it, especially at that price point. I filled this one with tiny pumpkins for a fall centerpiece on my dining room table last month.

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Threshold x Studio McGee Decorative Sculptural Geometric Folded Bowl

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Abigail Turtleneck

The turtleneck I’ve been living in all fall long—it’s soft and warm, with the perfect amount of drape. Now I just want the gray one.

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Alex Mill Abigail Turtleneck

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Karl Fournier Studio KO

You’ve undoubtedly seen their images all over Pinterest (and no doubt you’ve pinned the cover of this book, too) because Studio Ko creates beautiful spaces and inspiring interiors you want to live in.

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Karl Fournier Studio KO

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Angelika Taschen Great Escapes Italy

We are all dreaming of an Italian escape right now, but until that time, you can indulge in a little therapy via this beautiful book.

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Angelika Taschen Great Escapes Italy

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Lulu and Georgia Shashenka Floor Mirror

I’ve been wanting a floor-length mirror for our living room, and I finally found the perfect one. A sculptural arch design and rounded corners beautifully soften this large-scale mirror that reflects tons of light and makes the room look huge.

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Lulu and Georgia Shashenka Floor Mirror

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Threshold Woodland Carved Wood Accent Table

I never met a stool I didn’t love—anyone else? With its unique design, this accent table doubles as a decorative object while also being functional furniture.

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Threshold Woodland Carved Wood Accent Table

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Threshold Abaca Woven Harvest Vase

Finding those pieces that strike a balance between aesthetic and sentiment is key to designing a home with meaning. This beautiful vase looks beautiful with dried branches and it’s an arrangement that basically lasts forever.

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Threshold Abaca Woven Harvest Vase

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Lulu and Gerogia Izara Vase

Handmade in Portugal, this vase has a beautiful richness with its textural, matte black finish. I style mine with nothing in it, so the sculptural lines of the vase can take center stage.

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Lulu and Gerogia Izara Vase

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Alexandra Misczynski Houses: Atelier AM

A design-lovers bible, this book is hugely inspirational with interiors that will make you swoon.

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Alexandra Misczynski Houses: Atelier AM

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John Derian Picture Book

Books are an investment. So, while we understand this book isn’t cheap, it’s definitely a piece that will provide so much value over time as you look through every page and reap the inspiration. Not to mention, it looks beautiful on your coffee table or bookshelf.

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John Derian Picture Book

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The post Shop Camille’s Fall Living Room Refresh appeared first on Camille Styles.

Over the past year, we’ve slowly freshened up most of the rooms in our house, starting with the main areas (living, kitchen, master bedroom) and moving to the smaller yet equally important (powder bath and pantry.) It’s funny how those seemingly less impactful spaces make just as much of an impact on my mental state. Clearing the clutter in our pantry has made my mornings, noons, and nights so much more enjoyable when I’m prepping meals. And the satisfaction I get from organized spaces certainly extends to today’s projects: Phoebe’s and Henry’s closets! This was a project I’d been putting off for a while and their disorganized and dysfunctional closets had been weighing on my mind. The end result was two very cluttered spaces. So, I finally decided to conquer them and, with the help of the team at California Closets, the result is nothing short of amazing. The other day, I walked into Phoebe’s closet and just stood there with a smile on my face. So, today not only am I sharing the stunning afters with you all, but I also want to talk through some of the kid’s closet ideas that took our spaces from woeful to truly joy-sparking.

When designing our kids’ closets, the goal was to minimize clutter so that getting dressed in the morning (and winding down in the evening) would be as stress- and clutter-free as possible. With elementary school-aged kids who can get themselves dressed, these kid’s closet ideas keep clothes and accessories within easy reach. We’re working on developing age-appropriate responsibilities around here, so keeping their clothes organized is a great way to encourage independence.

As you guys know, I’ve worked with California Closets on several projects in the past—most recently our pantry and mudroom—and I knew I wanted to work with their team to create the most organized, efficient spaces in the kids’ closets, too. After chatting through the options, we decided to go with The Everyday System, which is an adaptable and moveable solution that helped us find much-needed space in these closets that had felt a bit cramped. Even though their closets previously had built-ins, when considering kid’s closet ideas that would work for our needs, turns out that a more modular storage solution like this will be able to grow with my children and last them until they leave for college!

Scroll on for kid’s closet ideas and storage solutions to keep clothes and accessories within easy reach.

First, get strategic with a smart kid’s closet design.

Of course, it would be awesome to have a professional crew construct every organizational space in our home, but sometimes that’s just not on the cards. That’s why I was pumped to discover that California Closets recently launched their first-ever online design tool that allows you to configure and customize The Everyday Collection online, easily and conveniently. For my fellow design junkies, trust me when I say: you will be addicted to this tool. You measure your space, input your details, take inventory of what you need to store, and the tool help to create your custom storage solution. Then you can tweak as needed and place your order for all the parts to be delivered straight to your home. I’m still blown away by how built-in this system looks, without requiring any construction (making it a perfect solution for renters, too.)

Create a closet that will grow with your kids.

The Everyday System has hidden tracks that allow for tons of adjustability. You can move shelves up and down as needed, and storage rods can be adjusted to different heights so they can be repositioned as your child grows. Unlike the built-ins that were previously in this space, this system has loads of flexibility to adapt to our ever-changing needs.

You can never have too many drawers.

As I’ve gained more experience in designing spaces for storage and organization, I’ve learned: always go for more drawers. Keeping clothing folded in short stacks in shallow drawers makes them so much easier to keep streamlined and neat. The Everyday System has soft-close drawers that fully extend so you can see to the back and you can truly feel the high quality of their construction.

Shelves have their place, too.

Open shelving is great for books and toys, as well as baskets and bins to corral them. Since my kids’ rooms can quickly get cluttered (it’s amazing how much stuff they can acquire in the span of a few weeks), it’s nice to have an extra spot to keep overflow toys and stuffed animals so that their rooms can stay clutter-free, too.

Make the most of upper storage space.

Just because your kid can’t reach the high shelves doesn’t mean you can’t use this space smartly! I use the upper shelves of my kids’ closets for out-of-season clothes, extra bedding, and bulky items like sleeping bags. In Phoebe’s closet, I added a stool so that she can reach the upper shelves and rods, too.

Accessorize with textural bins and baskets.

I love the warmth that woven baskets bring to both kids’ closets. And they work overtime as major organizing tools! Phoebe has lots of little items that can easily clutter up her bedroom: think notes from the tooth fairy, so many pairs of tiny earrings and necklaces, and doll accessories. We’ve got a bin or a basket for each of those categories so that everything in her room has a home and we can make quick work of clean-up at the end of the day.

Small closet ideas for kids.

Henry’s closet is a walk-in, yes… but it’s also pretty small with an awkward layout, thanks to a door that swings inward. I worked with the California Closets team to create a modular solution to maximize every square inch, and thankfully his closet feels so much bigger and more functional than it did before. He actually has an empty drawer just waiting to be filled! The key to mastering a small closet for kids (or adults) is to keep it streamlined. Start by purging out-grown clothes, and store out-of-season items in a bin on the highest shelf (or in attic storage!) A modular closet system like The Everyday System can house shoes, hats, toys, and accessories. And when it comes to clothes, you can think about your specific needs to decide if you need more long hanging space, low rods, more drawers, etc.

Other ideas for a small closet? Use the back of a door for extra hooks, add vertical storage for accessories, and consider painting one wall in a bright accent color to give it some extra oomph!

Keep it easy.

My kids are always on the move these days, so creating storage solutions that are easy to maintain is a must. Otherwise, they throw everything on the floor or stuff it in a drawer, and… we’re back to square one. In each of their closets, I added hooks for hanging up bags, jackets, and hats so that they can quickly drop them without them landing on the floor. A big open basket is a perfect catch-all for dirty laundry—it can literally be tossed in. And keeping their most-often used items in plain view at arm’s length fits our grab-and-go lifestyle—and makes it easy to return everything to its spot at the end of the day.

Do you guys have any kid’s closet ideas that have helped you streamline and stay organized? Drop them in the comments! 

The post How I Organized One of the Trickiest Spots in Our Home—The Kids’ Closets! appeared first on Camille Styles.